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Lancaster Street Art: The Fake House
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Turkish Belly Dancer Costumes
Telkari is the famous jewellery art in Mardin (a town in East Turkey)
If you are interested in this art, you will find a lot of stuff at this address
Delicious sculptures :)
Delicious sculptures :)
Originally ebru art or paper marbling was a step in bookbinding and used as a background for calligraphy. During the Ottoman Empire Ebru was used to prevent writing from being erased from a document. "Benjamin Franklin sed Ebru on currency to eliminate forgeries and also in accounting books", says Nuri Pınar, a well known Turkish Ebru artist.
The process of making ebru is unique due to its being completely painted under water. Water is placed into a rectangular tray in which gum is added to make the consistency much thicker. Then paint is sprinkled onto the surface and a pattern is created by running a thin stick through it. Once the pattern is completed, a sheet of paper is placed on top for a couple of minutes. The paper is then carefully removed revealing the Ebru design.
The meaning of the word ebru varies according to its cultral origins "Ebr" in Çağatay Turkish means clouds, while "Ebri" means reminiscent or resembling. "In western cultures it means marbling, which may sound cold ad harsh. We call it cloud-like because it changes its shape, colour and light, and you cannot touch it. The cultural differences come out trough the terminology", Pınar said.
Ebru's evolution
Ebru started as a form of decorative paper art and is now an art form itself. The oldest known example of Ebru is in the Topkapı museum. It is an anthology of poetry called Ruhi Cevgan by poet Arifi from 1539.
In its begginings, only organic paints were used and only one type of gum was available. Today, there are many pigments, both chemical and organic, that can be used, as well as many varieties of gum from seaweed to salep.
Originally Ebru was only abstract, but over the last 130 years it has became popular to add stylized flowers. And today most Ebru artists are women, whereas in days gone by it was an art form carried out mainly by men. The reasons for these changes are simple "necessity and demand", Pınar says.
To become an Ebru artist is quite difficult; not because it requires a special talnt but because it requires patience, self-sacrifice, hard work and tolerance, said Hikmet Bartçugil, another leading figure in Ebru art. He adds that it is possible to larn the art of ebru by practicing and reading books on the subject, which is time consuming. "Trying to pick it up by yourself or just learning one aspect might take hours, whereas a master can show it to you in five minutes". On the other hand, Fuat Başar, another important contemporary ebru artist in Turkey, claims that the only way to learn the art is from a master. "You don't need any special talent to become an Ebru artist. Love and patience however are essential" e says.
Ebru not only has a long history within Turkey, it is also intgral to the Turkish identity."Culture is what makes me who I am. My identity is forget by this land, through Turkey. Our roots run underground, I belong here. Traditional art forms, such as these, are vital in all cultures. For this culture to continue, traditional art must continue" Pınar said.According t Barutçugil the way for a country to prove itself in the international arena is firstly by protecting its national culture. "Ebru is ours. We have to protect and evaluate these traditional and cultural values to bequeath a more advanced civilization to future generations", he said.
Gumming materials: Gumming materials are added to water to make the colour pigmens float on water and then, adhesion of them on paper is easier. The most popular gum used is tragaccanth, as well as flax seeds, orchid root, quince seeds, fenugreek seeds, ad carrageenan.
Turpentine: It is a natural thinner producing a light-coloured spotted pattern.
Pins and needles: A variety of pins and needles is used for dropping dye and shaping it on the water surface.
Paper: High quality paper of 80-90 g/m2 weight is used.
Combs: Combs varying in thickness and lenght are used to create rhytmic patterns on combed type ebru.
Drying shelves: A flat surface is necessary to properly dry the finished ebru.
Around the world as in Turkey golf is known as a sport for hte wealthy and also as an important type of tourism because it attracts prosperous tourists (tourists that add value). While an ordinary tourist spends 140 Euro in a week, a golf tourist spends on average 200 Euro in just one day. It is this added value that makes golf tourism grow so fast globally and also what makes it one the favoured areas of Turkish tourism. Belek is becoming Turkey's golf region, and in 2006 it attracted 209 thousands golf tourists. In 2007 this increased by 50 percent, reaching 300 thousand tourists. There are, according to the European Golf Association (EGA), 31 thousand golf courses in the world. 60 percent of these are located in North America. In Europe the number of cources comes to 6 thousand and there are 6.5 million golfers. The European golf market generates 2 billion dollars. Still considered at the early stages of this development, Turkey has only got 12 golf facilities. The golf courses in Istanbul, Antalya and Ankara yield approximately 6 million dollars annualy. Turkey's competitors in the tourism sector, Spain and Portugal, earn 250 million dollars.
Turkey's Golf Headquarters: Belek
She accepted few film offers and chose her roles carefully, usually preferring to collaborate with directors whose work she admired. Pasolini used her as Jocasta in Oedipus Rex, in The Decameron, and as an upper-middle-class mother whose life is profoundly changed by the visit of a young man to her home in Theorem. Pasolini said that she was practically contemptuous of her great beauty and that she worked hard at constantly improving her dramatic capabilities. She often worked with Luchino Visconti, and in fact played in four of his last six films. She reportedly accepted the role of Tadzio's mother in Death in Venice for no salary; her portrayal of the impeccably groomed aristocratic woman relied entirely on mime for its effect. At the opposite extreme was her role as a vulgar and pushy nouveau-riche mother in Conversation Piece. She played both the grand sophisticate of the past and the reptilian modern mother with equal conviction. ( Elaine Mancini )
Eleonora Rossi Drago
(September 23, 1925 – December 2, 2007). Born Palmira Omiccioli, was an Italian film actress. She was born in Quinto al Mare, Genoa, Italy. She had the leading role in Michelangelo Antonioni's Le amiche. She worked with Pietro Germi in Un maledetto imbroglio. In 1960, for her performance in Valerio Zurlini's Estate violenta she won the best actress prize of the Mar del Plata Film Festival and Silver Ribbon. In 1964, she appeared in an adaptation of A. J. Cronin's novel, The Citadel. She died in Palermo, Italy.